Name: Seminstrunnaya Gitara.
Type: Chordophones > Lutes.
Hornbostel-Sachs No#: 321.322.6
Country: Russian Federation.
Region: Eastern Europe.
Description: The Russian guitar [in Russian: семиструнная гитара], sometimes referred to as a “Gypsy guitar”. This type of acoustic seven-string guitar was developed in Russia towards the end of the 18th century. While sharing most of the same organological features with the Spanish guitar.
Some historians insist on English guitar ascendancy. It is known in Russian as the semistrunnaya gitara [семиструнная гитара], or affectionately as the semistrunka [семиструнка], which translates to “seven-stringer”.
History: Although a number of sources associate the invention of the Russian guitar to Andrei Sychra [1773 – 1850]. There are strong reasons to believe that the instrument was already in use when Sychra began his career. Sychra was very influential in creating the school of Russian guitar playing.
He was a very prolific composer leaving a thousand compositions, seventy-five of which were republished in the 1840s by Stellovsky and then again in the 1880s by Gutheil. Some of these were published yet again in the Soviet Union in 1926.
Usage: The Russian version of the seven-string guitar has been used by professionals because of its great flexibility, but has also been popular with amateurs for accompaniment [especially Russian bards] due to the relative simplicity of some basic chords and the ease of playing alternating bass lines.
Tuning: Although these instruments appear similar in shape and acoustics. The Russian and Spanish guitars are tuned differently. The Spanish guitar in tuned to a reentrant tuning containing the intervals of fourths and thirds being the bottom D / G and B strings. Where as the Russian 7 string guitar tuning centres on a G major, the first and most common tuning tuning is an Open G not dissimilar to the Open G “Spanish” or “Tarro Patch” tuning for the six string guitar, with an added bass note being the D bass string.
|Seminstrunnaya Gitara Tunings|
|Open G||D / G / B / D / G / B / D|
|Bulat Okudzhava||D / G / C / D / G / B / D|
|D / G / C / D / G / B♭ / D|
|Tuning in Classical lit.||C / G / B / D / G / B / D|
|G / B / D / G / B / D / G|
Citations: Bibliography: Casey, Fred 2003 From Russia, with strings attached, American Lutherie: The Quarterly Journal of the Guild of American Luthiers [Instrument Plan]. 8222 South Park Avenue, Tacoma WA 98408 USA – The Guild of American Luthiers. Number 75; Anatoly Shiryalin, “Guitar poem”, Moscow, 1994 p.11; Timofeyev, O. and Bazzotti, M – The Seven-String Guitar in 19th-Century Russian Culture; phee, Matayana – A Brief History of the Russian Seven-String Guitar ;