Category Archives: Idiochord

Idiochord

Valiha

Name: Valiha.
Type: Chordophones > Zithers > Tube > Idiochords.
Hornbostel-Sachs No#: 312.11
Country: Madagascar.
Region: Indian Ocean.

Description: The valiha is a tube zither from Madagascar made from a species of local bamboo [valiha diffusa]. It is considered the “national instrument” of Madagascar. Aside from secular music, the valiha is also used for ritual music to summon spirits

Etymology: The name ‘valiha’ is also used to describe a number of related zithers of differing shapes and materials.

Tunings: Generally the valiha is tuned in a diatonic scale. The tuning and scale are dependant on the length of the tube used for the valiha. My instrument is tuned to D so the scale comes out as a D major diatonic D / E / F# / G / A / B / C# / D.

Construction: The valiha generally has 21-24 strings. Prior to the use of bicycle brake wire or other similar metal for strings. The strings from the valiha were carved from the same piece of bamboo the instrument is made from.  They cannot be replaced if they are broken. Small bridges cut from gourd raise the strings at a particular height from tube to string. Today valiha’s are strung with guitar and piano strings of the correct tension and diameter may also be used.

Citations: Bibliography: Bruno Nettl 1985 – The Western impact on world – change, adaptation, and survival. Schirmer Books. p. 55. ISBN 978-0-02-870860-7 ; Garland Encyclopedia of World Music ; The Concise Garland Encyclopedia of World Music. Routledge. pp. 123–. ISBN 978-1-136-09570-2 ; Hans Austnaberg 2008 – Shepherds and Demons: A Study of Exorcism as Practised and Understood by Shepherds in the Malagasy Lutheran Church. Peter Lang. pp. 158– ISBN 978-0-8204-9717-4. Elijah Wald 2007. Global Minstrels: Voices of World Music. Taylor & Francis. pp. 62–. ISBN 978-0-415-97930-6 ; Dominique Louppe 2008 – Plant Resources of Tropical Africa: Timbers / ed.: D. Louppe ; A. A. Oteng-Amoako. General ed.: R. H. M. J. Lemmens …. 7. 1. PROTA. pp. 573 – ISBN 978-90-5782-209-4 ; American Lutherie: The Quarterly Journal of the Guild of American Luthiers. The Guild. 1993. p. 22 ;

Sasando

Name: Sasando.
Type: Chordophones > Zithers > Tube > Idiochords.
Hornbostel-Sachs No#: 312.11
Country: Rote Island, East Nusa Tenggara, Indonesia.
Region: South East Asia.

Description: The sasando, also called sasandu; from sandu or sanu is a tube zither. It is a stringed instrument played in Rote Island of East Nusa Tenggara, Indonesia.

Legend: According to local tradition, the origin of the sasando is linked to the folktale of the Rote people about Sangguana. The story goes that there once was a boy named Sangguana who lived on Rote Island. One day, as he tended to savannah, he felt tired and fell asleep under a palmyra tree.

Sangguana dreamt that he played beautiful music with a unique instrument whose sound and the melody was so enchanting. When he woke up, surprisingly, Sangguana could still remember the tones he played in the dream.

Wanting to hear it one more time, he tried to fall asleep again. Again he dreamt of the same song and the same instrument. Sangguana was enjoying his dream, but eventually he had to wake up. Not wanting to lose the beautiful sounds from his dream, Sangguana tried to recreate the sounds and quickly created a musical instrument from palmyra leaves with the strings in the middle, based on his memory from the dream, which became the basis of the sasando.

Construction: The main component of the sasando is the bamboo tube. This tube serves not only as the frame of the entire instrument. But also as an acoustic body. Surrounding the tube are several wooden pieces serving as wedges where the strings are stretched from the top to the bottom. The function of the wedges is to hold the strings higher than the tube surface as well as to produce various length of strings to create different musical notes.

The stringed bamboo tube is surrounded by a bag-like fan of dried lontar or palmyra leaves [Borassus flabellifer], which functions as the resonator of the instrument. The sasando is played with both hands reaching into the stings of the bamboo tube through opening on the front. The player’s fingers then pluck the strings in a fashion similar to playing a harp or kacapi. The sasando can have 28 [sasando engkel] or 56 strings [double strings].

Citations:

Lutong

Name: Lutong.
Type: Chordophones > Zithers > Tube > Idiochords.
Hornbostel-Sachs No#: 312.11
Country: Sarawak Borneo, Malaysia.
Region: South East Asia.

Description: The lutong is a tube zither that is played by the Kenyah and Kayan people of Sarawak, Malaysia on the island of Borneo. It is a quiet instrument used by women to accompany singing, and occasionally to lead a long-dance. There is a story told by the locals that if a man plays this instrument, he will be attacked by a tiger.

Construction: The lutong is made from a section of bamboo with the strings pulled up from the peel. The strings are stretched taut by small sticks, and held in place by a braided piece of rattan at either end. There are usually only four strings that extend the length of the tube.

Citations: Bibliography: Websites: Randy Raine-Reusch @ asza.com [lutong article] ;

Dungadung

Name: Dungadung.
Type: Chordophones > Zither > Tube > Idiochords.
Hornbostel-Sachs No#: 312.11
Country: Kalinga Province, Luzon, Philippines.
Region: South East Asia.

Description: The Dungadung is a tube zither whose alternate names are regional [Southern Philippines, tagakaolo, katimbok, kudling, serongagandi, tabobok or takumbo] that is played by the Kalinga people who in Kalinga Province, Luzon in the Northern Philippines.

In the southern Philippines it is known as a tagakaolo or as a katimbok or by the Hanunoo as a kudling. The Isneg people refer to the tube zither as a pasing and the Negrito people refer to it as a tabengbeng. The Maranao people refer to the instrument as a serongagandi.

Playing Techniques: It is played by striking the strings with a stick in the manner of a percussion instrument.

Citations: Bibliography: New Grove Dictionary of Music by Stanley Sadie, José Maceda P.  636 : Websites: